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	<channel>
		<title>Galactic Symphony : Motifs</title>
		<description>The latest motifs added to the site</description>
		<link>http://gs.michaelhopcroft.com</link>
		<item>
<title>Expressing a point of view</title>
<description> </description>
<link>http://gs.michaelhopcroft.com/motif/802</link>
</item>
<item>
<title>Cheeky flirtation</title>
<description> </description>
<link>http://gs.michaelhopcroft.com/motif/800</link>
</item>
<item>
<title>Jedi mortality</title>
<description> </description>
<link>http://gs.michaelhopcroft.com/motif/801</link>
</item>
<item>
<title>Keeping schedule</title>
<description><em>“You will be delighted to hear, we are on schedule”</em>
<br/>
<br/>
<em>“I'm here to put you back on
schedule”</em></description>
<link>http://gs.michaelhopcroft.com/motif/797</link>
</item>
<item>
<title>Towering monster</title>
<description> </description>
<link>http://gs.michaelhopcroft.com/motif/798</link>
</item>
<item>
<title>Lost partner</title>
<description> </description>
<link>http://gs.michaelhopcroft.com/motif/799</link>
</item>
<item>
<title>Hyperspace</title>
<description>IV, V and VI-- One of the most iconic images of the entire saga is that of streaking stars as the Millenium Falcon, and other ships, make the jump into hyperspace. While ships in the prequels also travel at light speed, at no time do we see that iconic image, even though it was initially present at the script stage of TPM. Lucas has stated that he wanted to preserve the excitement of that moment's introduction in ANH, which is the reason it was held back in episodes I, II and III. As such, that moment in episode IV becomes a magic one, and Han, ironically, a practicioner of magic, as the character who introduces us to this special effects masterpiece.</description>
<link>http://gs.michaelhopcroft.com/motif/589</link>
</item>
<item>
<title>Parents</title>
<description>Eerily similar shot compositions.</description>
<link>http://gs.michaelhopcroft.com/motif/796</link>
</item>
<item>
<title>Turned Back</title>
<description>Padmé stands behind Anakin in these three distinctly similar shots from "Attack of the Clones."</description>
<link>http://gs.michaelhopcroft.com/motif/795</link>
</item>
<item>
<title>Crash landing</title>
<description> </description>
<link>http://gs.michaelhopcroft.com/motif/789</link>
</item>
<item>
<title>Enemy in utopic city</title>
<description> </description>
<link>http://gs.michaelhopcroft.com/motif/790</link>
</item>
<item>
<title>Fallen apprentice</title>
<description>Obi-Wan loses Anakin to the darkside.<br/>
Vader loses Luke to the lightside.</description>
<link>http://gs.michaelhopcroft.com/motif/791</link>
</item>
<item>
<title>Mounted Jedi</title>
<description> </description>
<link>http://gs.michaelhopcroft.com/motif/793</link>
</item>
<item>
<title>Detecting the enemy</title>
<description> </description>
<link>http://gs.michaelhopcroft.com/motif/794</link>
</item>
<item>
<title>The Quick and the Deadly</title>
<description>Episode III--<br />
<br />
Palpatine and Yoda strike similar poses before and after their attacks upon the Jedi Knights and the Clonetroopers, a testament to their consumate skills with lightsabers and their dual nature as personifications of the light and dark sides of the Force. </description>
<link>http://gs.michaelhopcroft.com/motif/788</link>
</item>
	</channel>
</rss>